Sucker Punch
Exciting though repetitive game nearly two hours of the controller of entertainment Zack Snyder, “Sucker Punch” gives power to women who are fighting in the macho world. Big delirium in perspective for fans of container and non-content.
Babydoll (Emily Browning) was interned in a psychiatric hospital by her stepfather. Before completely losing her reason and she must escape quickly. Through the power of her imagination, the girl invents parallel realities where it needs to get their hands on some objects to find the way out the rabbit hole. In the company of some friends, the blonde discovers that nothing is impossible …
When Zack Snyder addresses a reinterpretation of “Alice in Wonderland”, the moviegoer can not but be interested. The trailer had piqued the curiosity and it is quite far from this immediate explosion that begins with a superb introduction totally controlled and mannered with a heroine who did not luck on her side. Soon the creator lays the groundwork for a helium-filled plot reminiscent of the continuous fighting Women against men. A much more relevant fact inquisitor than three “Millennium” for example, despite its conclusion horribly depressed and judgmental.
Taking a break from his stories smarter than the average (“Watchmen” and “Legend of the Guardians”), the filmmaker has the female equivalent of his own “300″. The feature is similar to a huge video clip, a video game without end, a manga that will appeal instantly to fans of “Scott Pilgrim Vs The World”. The special effects are at all times, as the excellent pop music (“Army of Me” by Bjork takes a new direction) and the titanic clashes. Snyder knows his cinema, he multiplies the winks, the “Sin City” to “Mission: Impossible”, is paying the luxury of revisiting several important periods (the First World War, Medieval, Victorian) in his delusions of grandeur.
The whole is not always easily digestible, completely bearable. It is the madness of “Moulin Rouge” to the power 1000, whose pyrotechnics eventually drunk. Despite all his powder to the eyes and ears, his metaphors intelligent about the world of childhood and its eternal dualities (production begins as a play, mirrors enhance the introspection, the dance numbers as “Black Swan” bring in a trance, etc..), the narrative remains empty, with very nice characters to admire, but have yet nothing to say.
“Sucker Punch” is just look for what it is: a fantasy in two dimensions that blows everything in its path, a great fad that quickly turns to empty, but who knows entertainment. How can it be otherwise with such a title? Something to wait until “Superman” with the director.
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