Fast & Furious 5

“Escape is not freedom”, says the brave villain Dominic Toretto, amazing underground street racer criminal kind-hearted and daring, the most beloved characters in the saga of Fast & Furious starring Vin Diesel from the now-established star of the Action. The release date of The Fast and the Furious 5 DVD is 19 September 2011.

movie Fast and The Furious 5

At the end of the previous episode, Toretto is handed over to the police after having contributed to the capture of an alleged murderess. Sentenced to twenty-five years, while came transported in prison on the prisons bus, his faithful companions were ready to release him. Between of them the sister Mine, played by the beautiful Jordana Brewster and her boyfriend, the former cop Brian O’Conner, who has the square jaw of Paul Walker, another hero of the series, absent only in the third chapter.

And it is here that begins this fifth episode, directed again by Taiwanese Justin Lin, author also of two precedents, which hurry the formality of Toretto evasion with a prologue in style fulminating Fast & furious, unbelievable, and and literally explosive. From the new base of operations in Rio de Janeiro, Toretto and his friends prepare for the assault on a train to steal some cars seized by the feds. Things go wrong because of the mysterious cargo of one of the cars, some agents were killed and the blame inevitably falls on the players.

On the foot of war, the federal unleash the infallible bloodhound Luke Hobbs, a gigantic Dwayne Johnson, supported from Elena Neves, the sensual Elsa Pataky. In the meanwhile, Toretto’s gang discovers that behind their problems is the sleazy Reyes, the usual Brazilian drug lord who starves the poor inhabitants of the favelas. The new plan of Toretto is that of robs its property everything of Reyes and for to make it puts together a news squares organizing a crazy and odd blow.

Also the characters and the dynamics that exist betweem them are plotted according to schemes known to some far-fetched but functional development, dialogue and face to face very hard to bring out the machismo of Diesel and Johnson. The romance between O’Conner and Mia has a classical turning point that further pushes the viewer to root for them, looking for a peace that can not get as large. To counterbalance the main heroes in one piece are the most like-able members of the team that give rise to a slew of hilarious gags, perhaps the most successful film.

The film is fairly conventional with no apparent excesses of digital and free of unnecessary postmodernism, backed by pounding music by Brian Tyler, who had already worked on the third and fourth episode and veteran of such action (John Rambo, The Expendables and World Invasion). To do from latin American corollary rhythms and pieces hip-hop from American groups, Hispanic and black.

Although the film makes the mistake of not saying anything new regarding the history and content, will satisfy fans of the saga in full with all the repertoire of noisy excesses, muscles, beautiful girls and cars whizzing by at high speed almost to reflect the rhythm of a film that slips away without weighing the 130 minutes duration.

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