Dog Pound:shows another face of the young filmmaker
After a controversial, and no further than our pages , Sheitan Kim Shapiron returns with a film “American” was the common point of being too uncompromising.The similarities end there as Dog Pound shows another face of the young filmmaker.A more chastened filmmaker who decides to bring her art to a simple narrative but terribly effective.
Do not releasing the juvenile world that fascinates him, Shapiron takes us on the horrors of prison for young offenders and chose the documentary way to stick closer to reality.And that bit of writing as his Dog Pound oozes from every pore the bitter truth of a medium where the fittest is still the master of the genre standard.Tossed after more or less minor offenses in the prison break in which more than one, the three “heroes” Dog Pound will learn this axiom of the most painful way possible.
And we follow an intimacy more than once touching and striking their slow descent into hell.Taking his time and little touches, though aided by a cast of truth to (and for good reason, some actors simply are real inmates), Kim Shapiron us up pressure and will never seek to caricature or even take part the image of prison guards far bastards that can be seen in such situations scenario.
And so it is logical that we pick Shapiron in a final while sound and fury that the share of each animal explodes, leaving the viewer to touch his flesh as a human mess.By being able to remove all barriers and film, Dog Pound demonstrates brilliantly that a director is finally born.
